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Eric Kuster是顶级的荷兰室内设计师，在经典与现代之间实现完美平衡的能力使得Eric Kuster在国际室内设计享有很高的声誉。 Eric Kuster是一个拥有自己个人风格的室内设计公司，大都会奢华风格是他的标志性风格，没有更好的词可以形容他那无与伦比的设计作品。 除了做独家住宅项目，Eric Kuster还做游艇、酒店、汽车以及商业室内设计项目，始终超越了他们的客户的期望，他的作品融入个人元素以至无可挑剔，多次获得欧洲物业奖。
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eklund_terbeek is a broadly oriented architectural practice, directed by co-founders Jenny Eklund and Dominique ter Beek. From its base in Rotterdam eklund_terbeek works in architecture on every scale – from strategic urban planning to buildings, interiors and furniture design. Special areas of expertise include transformation of existing buildings and spaces, architecture for education and care and residential design. Examples of recent work are a Children’s Eye Centre for the Rotterdam Eye Hospital, the Makerspace in Rotterdam Delfshaven and the transformation of two early 20th century school buildings into a series of unique apartments.
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Ik bouw met beelden, maak visuele biografie?n, in de vorm van fotomontages en stop-motion films. Mijn werk is in de basis documentair, maar lijkt door beeldcombinaties strijdig met de werkelijkheid. Daarin zit voor mij een interessante paradox. Ik streef als een cartograaf naar objectieve totaalbeelden. Dit bereik ik door keuzes te maken, die per definitie juist subjectief zijn. Dat vind ik interessant aan het verbeelden van onze leefomgeving; het is alledaags, dichtbij en blijkt toch altijd vol verrassingen.
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The architectural philosophy of Erick van Egeraat strikes a visionary balance between analysis, context and beauty. He envisages an architectural future in which the currently prevailing reductive avant-garde philosophy is superseded by a new paradigm of complexity and richness. According to Erick van Egeraat, any project should be connected to and even blend into the network and identity of its location. Therefore, great attention to the cultural and historic makeup of the site is required for a project to become a natural part of its surroundings. This emphasis on context stems from Erick van Egeraats aim to maintain, accentuate and complement the uniqueness of each individual location. Without surrendering to nostalgia or revival, he finds familiarity in the location itself, not in his own portfolio or by way of a methodica
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